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Film at Lincoln Center and Cinema Tropical announce the fifth edition of Neighboring Scenes, the annual wide-ranging showcase of contemporary Latin American cinema featuring established auteurs as well as fresh talent from the international festival scene, February 14-18. Neighboring Scenes spans a wide geographic range, highlighting the breadth of styles, techniques, and approaches employed by Latin American filmmakers today. The Opening Night selection is Joanna Reposi Garibaldi’s documentary Lemebel , an intimate portrait of pioneering queer writer and visual artist Pedro Lemebel, told with unprecedented access and footage. Other highlights of the lineup are Pablo Larraín’s Ema , an electrifying character study anchored by performances from Gael García Bernal and Mariana Di Girolamo; José Luis Torres Leiva’s tender, emotionally raw Death Will Come and Shall Have Your Eyes , a poetic meditation on death, mortality, and selfless love in the face of terminal illness; and five short films: Daniela Delgado Viteri’s Shortcuts , Miguel Hilari’s Bocamina , Pablo Mazzolo’s Green Ash , Alejandro Alonso’s Home , and Ulises Conti’s Persona 5 . Documentaries are strongly featured in the Neighboring Scenes lineup, including Maíra Bühler’s Let It Burn , which follows the marginalized residents of São Paulo’s Dom Pedro hostel as they struggle with addiction, loneliness, and the threat of eviction; Private Fiction , Argentinean documentarian Andrés Di Tella’s cinematic reconstruction of his late parents’ turbulent love story, told through their personal letters and photos; Marcelo Gomes’s engaging travelogue Waiting for the Carnival , a portrait of a small Brazilian village dominated by the production of denim; the essay film Pirotecnia , which finds director Federico Atehortúa Arteaga examining the uncanny relationship between his mother, Colombian cinema, and the country’s history of armed conflict; and Hilari’s lyrical Compañia , which blurs past and present, dream and reality in its portrayal of an indigenous Andean community’s return home for a festival of the dead after migrating to the city. The lineup also showcases multiple debut features, including Jo Serfaty’s coming-of-age story Sun Inside , which follows four teenagers from the Rio de Janeiro favelas; Salomón Pérez’s In the Middle of the Labyrinth , a boy-meets-girl teenage love story that evokes both slacker cinema and formal documentary; Workforce , a poignant and astute meditation on class warfare from Mexican director David Zonana; Lucía Garibaldi’s provocative, menace-tinged portrait of unrequited love and sexual awakening The Sharks , winner of the Sundance 2019 World Cinema Dramatic Best Director Award; Clemente Castor’s format-shifting hangout film Prince of Peace , capturing the daily routines, fights, and uncanny discoveries of a group of Mexican teenagers; and Again Once Again , which finds director Romina Paula playing a fictionalized version of herself opposite her own mother and son in a richly personal exploration of motherhood.
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